BOOK REVIEWS   --- Following are only a few of the sites that show reviews of books by Taslima Nasrin.

 

 

http://img.infibeam.com/img/4b4db614/592/6/9781558616592.jpgRevenge

Los Angeles Times has selected Revenge for summer reading 2010

Feminist press

Review

Amazon.com, Fantasticfiction.com

 

   Libres de le dire (Free to Speak)

Review Le Monde,  Liberation,  Critiques Libres Contre-feux,   Contre-dits,

Revolution,    facebook, Best seller list

Watch  LCI,  France 24 TV5 Canal +,  France2 *1, France2*2 ,   France culture,

 

 


  Meyebela, My Bengali Girlhood      

Los Angeles Times Selected Meyebela as One of the Best Books of 2002


               "Meyebela" ends at the threshold of this realization. It will be many years until the quiet young girl will find the voice and the heart to commit blasphemy and earn a fatwa or two. Her courage is all the more stunning to those who have lived under the reign of silence that pervades the Muslim world, who have seen how not only men but also very often women join in the effort to perpetuate fear and violence against other females, how a dissenting voice, a rebel mind, is quickly reformed or purged.

23 November 2002

GLOBE AND MAIL, Canada selected Meyebela, one of the best books of 2002

                    Nasrin tells the often harrowing story of her journey from birth to adolescence. It was necessary for her to create new language to denote this passage, as none existed in her native tongue. The Bengali term for childhood is chelebela: boy-time. Meyebela, an act of radical linguistics, means girl-time.



..The  truth, as Nasrin and a handful of other brave souls have dared to utter, is that not all traditions are worthy of keeping, that not all long-held principles are equally valid. Not every word written in a holy book---any holy book—is indeed holy. Not every attempt to bring enlightenment to the shadows of ignorance can be dismissed as ‘cultural imperialism.’..
Review

Los Angeles Times 

 

Taslima Nasrin had intimate knowledge of her adversary. Unlike Salman Rushdie, to whom she is often compared, she did not write from the safety of exile or without foreknowledge of the consequences. She was weaned on the particular brand of fanaticism taking hold in post-war Bangladesh. She had grown up clutching the skirts of her increasingly pious mother, who dragged her to the colony of a local charismatic teacher where, with cult-like devotion, women would taste the contents of his spittoon. And she would herself be forced into the cage of the burqa when the maturing body robbed her of what little freedom she enjoyed as a girl.Review  

Globe and Mail   

 

 

Taslima Nasrin, the fiery feminist from Bangladesh who angered the Muslim
clergy in her country by questioning the Koran and writing about sexuality,
has written a brutally honest and brave memoir of her childhood to the age
of 14.
Review  

Washington Post 

 

 

Her autobiography, Meyebela ("girlhood" in Bengali), is a richly detailed story of a traditional upbringing amid difficult change.....She became a woman both of controversy and spirit, seeking to heal not only physical but also social ills, regardless of their origin..  Review  

USA Today 

 

 

I believe Nasrin's Meyebela will, like Huckleberry Finn, become a classic of controversy, hated, loved, banned, made a school text, removed from the schools and fought over as long as people read. But there is an important difference between the two books. Huckleberry Finn is a novel, and, though it has a first-person narrator, there is a clear distance between Huck, the character, a believer who will do what's right even if it means he has to go to hell, and Twain, the secular-humanist author, who is using Huck to show the hypocrisy of religion. In Meyebela, there is no authorial stance distinct from that of the narrator; the voice is that of the young Taslima as she comes to hate religion and blame God for the cruelties of man. Because all the author's stories, and all her conclusions, are told in the voice of an angry, rebellious, imaginative child, some may feel they are simplistic. But even those who long for more distance must recognize that Meyebela's bravery, vividness and groundbreaking subject matter make it a remarkable achievement, and one that will live. Review 

The Nation

 

 

Meyebela is a rather straightforward book, reminiscent of work by Egypt's Nawal El Saadawi (also a full-time doctor and activist). While there are more poetic works, such as Fatima Mernissi's Dreams of Trespass, Tales of a Harem Girlhood, this memoir belongs on the shelf with those of Dorothy Allison, Alice Walker, and others who have pried open doors locked on shattered girlhoods. Review
 
Village Voice
                         

 

 

This moving memoir attempts to demonstrate how it is possible for young women to reach within themselves and nurture their own spiritual life in spite of the physical and emotional pain that men -- and tradition-bound societies -- can inflict upon them.Review  

Indolink

 

 

Nasrin writes hauntingly of a childhood of confusion and pain.Revie
Publishers Weekly  

 

Nasrin in her memoir tells us what life truly is like for many girls around the world. It is our duty to listen. It is sad though that we can often do little more than be outraged.Review 
Desi Journal  

 

 

If her countrymen want her dead, you know her writings must be exceptionally good, must be enormously powerful, and must be terribly threatening to the existing institution of male domination and patriarchy... Review
APA Book


   
  My Girlhood


But Nasreen is no Rushdie (although they can be compatible spiritual allies). However, the story she seeks to put before us is so deliciously conflicted that it, like an unwiped teardrop, can head only one way: towards the heart. 
Review
 
Outlook India  

 

 

my girlhood speaks of the simplicity and natural delight in things that one is accustomed to right from childhood. These are the rightful staple of existence of every child. To rob one of these, is to nullify one's entity. The unwarranted, forced precocious ness bestowed upon the girl by ugly 'snakes' is just as deplorable as the bloody operatic of war being played out in the nation at large. The book's transferring gaze explores the social, religious, cultural ethos, and each is commented upon lavishly.Review

Hindustani Times  

 

HONESTY is always disconcerting. Children are good at it, until they learn deceit from their elders. The child remains in the woman, but the woman soon internalises the message that being a good girl means not talking about certain things. Taslima Nasrin, in the consensus opinion of those who presume to judge her, is not a good girl   Review

The Hindu 

 

 

It is commonly said that Taslima Nasrin is an overrated writer. This notion is so strong that it is repeated unthinkingly by people who can neither read nor write Bengali! It is also said that her books sell because of their explicit discussion of sex and sexuality. (Usually such an allegation says something about the reader but nothing about the writer.) Future generations will not dispute that Nasrin has been one of the most important Bengali writers of contemporary times. Moving away from ornate and euphemistic rhetoric, Taslima Nasrin deploys language that is direct, even ruthless. Her feminist politics emerges not out of victomolgy but rage. Her sexual explicitness is daring and unembarrassed. These traits are neither traditionally feminine nor desirable by Bengali canonical standards. Therefore, her writings assail the canon itself and problematizes the notion of what constitutes “literary merit”.Review

Biblio

 

 

The pictures emerge like flashes from a colourful kaleidoscope, creating a brilliant image as the author moves back and forth between her own life and that of a fledgling nation. A child like innocence and freshness pervades her sharp observations of Bangladeshi society with its class discriminations and bias, its blatant gender disparities and growing religious orthodoxy and intolerance. Her account is as much a personal record as it is a chronicle of political events in the life of nation. Review 

Vedams

             

      

  Bangla Book  Amar Meyebela 

 

Writing the self: Taslima Nasrin's autobiography and the silent voices of Bengali

feminism. Review

Which is the most debatable book in recent years in Bengali Literature?
'Aamar Meyebela'(My Girlhood) by Taslima Nasreen. No doubt about it.

Which is the most open, forthright, straightforward and honest autobiography in Bengali Literature?
'Aamar Meyebela' by Taslima Nasreen. No doubt about it.

Which book has hurt the soft and suppressed Bengali emotions and sensitivities the most?
'Aamar Meyebela' by Taslima Nasreen. No doubt about it.
Review

the most debatable book for years in Bengali Literature, Net Guru India
         
  

She will call a spade a spade, come what may.

The Tribune Review 

Enfance,au feminin

French Review

Express Review 


   
cover

 

Shodh
  
  "The Ecstatic Female Body in the Contemporary Bangladeshi Novels of Taslima Nasrin," by Saiyeda Khatun in Genders 1999

A good book

 

The Game in Reverse
                   
Aubrey   review 

CHris Lott  Review
               

 

 

French Lover
           

Dawn
Review 
           
The Hindu Literary Review

Parabaas  Review

Vedams
Review

The Tribune Review

 



 
La Hermana De Nupur

Seiz Barral Review

 Spanish Review

 

      Ka

Review A cry against a book 

Review Banned again 

Review has no lajja about Ka

 

  Lajja 

 la republique des lettres review    

Review

peace-magazine review

mouthshut review

Kompas review

Rada Ivekovic review

 

Dwikhandito

 

Bengali Review

 

 

Selected Columns 

Tribune Review

German Review

 

Vent en rafales

Vent en rafales review

Vent en rafales review

 

Shame again is published in Malayalam language in India

The Hindu Review